Metropolis was directed by Austrian Fritz Lang and released in 1926. It was based on the novel of the same name by Lang's wife, Thea von Harbou. The story of class conflict and mechanization was set in the city of the future. Notable for its fantastic imagery and sets, the film reflected similar class tensions in Weimar and a widespread fascination with the modern and futuristic.
The Pillars of Society by George Grosz (1926). This painting features nightmarish caricatures of the elite classes of Germany: businessmen, clergy, and generals.
Marcel Breuer became a master at the Bahaus 1924, when the cabinetmaking and metal workshops were combined. Within a short time, he began creating tubular steel furniture like these tables, which were designed to be mass produced.
Still image from the silent expressionist film The Cabinet of Dr. Caligari. This horror film follows a mentally ill hypnotist who uses a hypnotized person to commit murders. The writers, Hans Janowitz and Carl Mayer, derived the idea for the script from their experiences with authority and obedience in the military during World War I.